Showing posts with label gary glitter. Show all posts
Showing posts with label gary glitter. Show all posts

Saturday, December 22, 2012

Mixtape: Best of UK #1s 1952 - 1981

Last month was the sixty year anniversary of the first #1 hit single in this country. Our first ever #1 in this country went to Al Martino with "Here in My Heart". Since then we've had over 1000 songs get to the #1 spot, the spot all music artists aspire to get to in this country. It means that for at least one week, their song is the most popular and most requested. It's like being king for a week I suppose.

Now the problem with #1 hits for me is that it usually goes to pop stars. The word pop comes from popular obviously, so if, like me, you like your rock and metal, chances are it makes it THAT much harder for your favourite tracks to actually perform well in the charts, nevermind get the #1 spot. Over time for me, less of my favourite tracks are getting to the top, which is a damn shame. But that's life!

Either way, I want to celebrate the last sixty years in music, with my favourite #1 hits through the years. Because sixty years is such a long time, and there were so many great songs through the years (especially over the course of the sixties) I've divided the Mixtapes into two, meaning today you'll get the first 30 years of #1s, and tomorrow you'll get the last 30 years of #1s. Remember this is a biased list.

Don't know much about Mixtapes? Here are the rules. 

A Mixtape is a playlist of a certain genre, band or era. The list is generally 80 minutes long, the same length of a blank CD, with further recommendations if some of the songs aren't to your taste. Remember kids, downloading is wrong! 

So here we go! Here's a list of my favourite #1 hits from 1952 to 1981, with the date it got to the #1 spot! Enjoy!

This Mixtape is now available to listen to fully on YouTube so subscribe to me if you want to listen to it properly. Enjoy!
  1. Rock Around the Clock - Bill Haley and His Comets (25/11/1955)
  2. Three Steps to Heaven - Eddie Cochran (23/06/1960)
  3. Great Balls of Fire - Jerry Lee Lewis (10/01/1958)
  4. Jailhouse Rock - Elvis Presley (24/01/1958)
  5. Shakin' All Over - Johnny Kidd and the Pirates (04/08/1960)
  6. House of the Rising Sun - The Animals (09/07/1964)
  7. You'll Never Walk Alone - Gerry and the Pacemakers (31/10/1963)
  8. You Really Got Me - The Kinks (10/09/1964)
  9. With a Girl Like You - The Troggs (04/08/1966)
  10. Fire - The Crazy World of Arthur Brown (14/08/1968)
  11. Paint it Black - The Rolling Stones (26/05/1966)
  12. Voodoo Child - Jimi Hendrix (21/11/1970)
  13. (Just Like) Starting Over - John Lennon (20/12/1980)
  14. Make Me Smile (Come Up and See Me) - Steve Harley and Cockney Rebel (22/02/1975)
  15. Get it On - T-Rex (24/07/1971)
  16. Blockbuster - The Sweet (27/01/1973)
  17. Tiger Feet - Mud (26/01/1974)
  18. I'm the Leader of the Gang (I Am!) - Gary Glitter (28/07/1973)
  19. You're My First, My Last, My Everything - Barry White (07/12/1974)
  20. Under Pressure - Queen and David Bowie (21/11/1981)
  21. Prince Charming - Adam and the Ants (19/09/1981)
  22. Hey Jude - The Beatles (14/09/1968)
Don't like some of these? Give these five a try...
  1. It's Not Unusual - Tom Jones (11/03/1965)
  2. Oh, Pretty Woman - Roy Orbison (08/10/1964)
  3. I Don't Like Mondays - The Boomtown Rats (28/07/1979)
  4. Brass in Pocket - The Pretenders (19/01/1980)
  5. My Ding-a-Ling - Chuck Berry (25/11/1972)
So those are my favourite #1 hits from 1952 to 1981. It was an amazing time to be listening to music, as at the time truly great songs were getting to #1 on a regular basis. I can't say the same for today unfortunately. Anyway I'll bring you 1982 - 2012 tomorrow. Join me then!

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Wednesday, February 08, 2012

Music Album Review: Ceremonials by Florence and the Machine


"Ceremonials" is a strong effort, a more streamline ride than "Lungs", yet it lacks the venom the debut album had.
“Ceremonials” is Florence and the Machine’s second album, and was released last October, just over three months ago. Florence's first effort, "Lungs" was a huge success primarily because of brilliant rendition of "You've Got the Love", originally sung by The Source and Candi Staton, which. I haven't reviewed "Lungs" in full before but I wrote about it when I put it at #10 in my Top 20 Albums of the Naughties, and rated it ****1/4 stars. What are my thoughts on this album then? Is it better or worse than "Lungs"? Before I get into that I want to talk about Florence a little.


Florence Welch fronts "Florence and the Machine", which, not too dissimilar to Nine Inch Nails and Trent Reznor, is the focal and vocal point of the band, the rest of the band play on tour and sometimes in the studio. But the band is all about Florence Welch, she's the mastermind of the project and is the commander, so to speak. Florence, remarkably, is only 25 years old but seems incredibly mature and you wouldn't expect a woman as young as Florence to make the deep and soulful music she is capable of making. Her voice is what makes the band work so well, she combines gospel, soul, blues, folk and opera. But the music also backs that up amazingly, using a mixture of hippy and psychedelic sounds, large African-style drums and that folk and indie music we spoke of earlier. There's a lot of great singers coming out from Britain in recent years, including Duffy and Adele, but Florence is above that in my opinion. She backs her amazing vocals up with excellent music, and an innovating style. She is THE female icon of Britain in music at the moment, in my opinion, regardless of if you like pop, rock, indie, metal, modern or older music. Florence released "Lungs" two years ago, and it was met with critical and commercial acclaim. "Ceremonials" has also sold well, and has been received well too. Lets get into my thoughts on the album.


The album starts off with "Only if for a Night", which is as grand in sound as many of Florence's tracks off the first album. If you compare this intro to that of the first album which was "Dog Days Are Over", then you can immediately tell that this album is taking a different direction. "Lungs" mixed all of Florence's musical tastes and influences. Put it this way, the majestic drums are not as prominent on this track as they are on "Dog Days". But the album does have many twists and turns as it goes on, just like "Lungs" does. "Only if for a Night" definitely as an opener is good as it contrasts that of "Lungs" and sets the tone of the album well.


The second track is also the second single off the album, which was "Shake it Out". I believe this should have been the first single as it's a great track; it grabs your attention really well and has a good amount in it to attract both the pop fanbase Florence has and the indie fanbase. Florence is so incredibly gifted that she attracts so many different fans with different music tastes, and this song is pretty damn cool; it's short and sweet, yet striking and hard at the same time. There's a lot of gospel in this track too, not to dissimilar to Kate Bush, someone I've seen Florence compared to many a time whilst researching other reviewers opinion on this album.


The third track is "What the Water Gave Me", which was the debut single off the track. My feelings on "What the Water Gave Me" are mixed, not because of the quality, that's prominent. But I disagree with its choice of being the highlight single for the album's promotion. The track doesn't stand out as much as other songs on the album and its style doesn't feel have that majestic feeling evident on other songs. I think proof of this is with the disappointing chart position the single got; getting to only #24, "Shake it Out" did twice as good getting to #12. As I said I like this track, I just disagree with the choice of putting it as the highlight single. That being said I've disagreed with the choices for singles off the first album as well.


After the two album's singles, we're treated to "Never Let Me Go", which is one of the more beautifully sung arrangements on the album. I always said that Florence reminds me of Dolores O'Riordan of The Cranberries due to Florence's ability to sing in so many stunning ways, as well as howling graciously. This is one of those songs. "Never Let Me Go" is an incredibly crafted piece of work, and vocally, it's one of the best songs.


We're then treated to three great songs off the album, first with "Breaking Down". Now, Florence mixes so many genres and styles into her music but the one genre she didn't really touch upon on "Lungs" is glam rock. But "Breaking Down" is a brilliant glam rock track. As odd as it sounds, I can hear a lot of Marc Bolan in this track, as well as, dare I say it, Gary Glitter. Obviouslly it's a purely female song but it's the music, the way Florence sings with the ricochet vocal effects and most importantly, the echoed drums in the background. "Breaking Down" is a glam rock song twisted and distorted to suit a modern gospel Florence and the Machine. It's absolutely fantastic. The second of these tracks, track six, is "Lover to Lover", takes another turn in the genres and is more eighties than seventies. There's a lot of background clapping and tambourines in this song and it just sounds so cool. Florence mixes so many genres and sounds but maintains her uncanny originality at the same time, this track is evidence of this. We're then treated to "No Light, No Light", the third single off the album, and my favourite of the three. I love the battling chorus sections of "You want a revelation/Some kind of revolution", it's a fighting track with bite but it maintains the soothing elements in the verses that Florence always somehow is able to balance. It's a great track and represents everything that is so good about Florence and the Machine.


"Seven Devils", track eight, reminds me a lot of "I'm Not Calling You a Liar" off the first album albeit music more harrowing and dare I say, gothic. It's one of the highlights of the album, the deep and heart pounding drums, the solemn verses contrasting the deep and disturbingly sung choruses. It's a gothic track through and through, it's a strong presence and is absolutely mindblowing. Following the darkness of "Seven Devils", we're treated to one of the happier yet colossal tracks of the album with "Heartlines". I love the huge drums in this track, the clapping, the excellent "Heeyaa!" chants, it's just a song full of grandeur. It's probably the 'biggest' song off the album in terms of combining so many elements that total to one song. It's an absolute belter. The tenth track, "Spectrum",  completes the high points of the album for me, the album loses steam a little from here on. "Spectrum" is a galloping climax, using a drumbeat that literally sounds like a horse running, combined with more of Florence's iconic howling, "Say my name!" she says with all her heart. It's an excellent track.


Unfortunately as I said, the album loses steam a little after this point. That's not to say the rest of the songs are crap, I just feel the album drags on a little afterwards. One of the highlights is probably "Leave My Body", another thumping track not too dissimilar to "Seven Devils" but less dark. "Remain Nameless" is another good track, and bizarrely, reminds me of a much darker version of Ultravox's "Vienna". The album ends with "Bedroom Hymns" which once again is a good track but it doesn't end the album well. I don't feel the album reaches a climax, it feels like the album was too long or too short and this track is a pause between the two. As I said I like this song, it's good, but it feels like an abrupt ending and slightly taints what is otherwise a great album.

"Ceremonials" for me is a cracking effort, if not a little inferior to its earlier sister, "Lungs". That's not a strong criticism as "Lungs" was felt almost impeccable. "Ceremonials" is a strong follow up, it has a decent amount of variety on here but once again not as much as Florence's earlier effort. There were so many strong and diversive sounds on "Lungs", not to mention it being  a stronger rock and indie sounding album, which is more towards my tastes personally.


But one thing that "Ceremonials" does in comparison to "Lungs" is make me feel that Florence is in some form of comfort zone. Sure Florence Welch, the person, has had some up and downs over the past few years as she has confessed in some interviews, but her music seems to be her comfort zone and that's definitely evident in this album. "Lungs" felt like Florence was smashing plates together in order to make music; trying and testing so many different sounds and genres and the end product being an 'in your face' and 'listen to what I can do' type of album, yet in a shy way. This album feels like Florence has listened back to "Lungs" and gone "okay, I like that sound and that sound" and then concentrated on those feelings, sentiments and certain resonances, and then "Ceremonials" is the end product of that. "Ceremonials" is a more consistent album, a more streamline ride, yet there's still more than enough genres and experimenting with sounds is still a rewarding experience.


Overall, "Ceremonials" is a strong effort, a more streamline ride than "Lungs", yet it lacks the venom the debut album had. It's more than worth a listen. If you liked the debut album you'll more than likely like this. If you like the sound of the singles, definitely give this a go. It's a fantastic album, I just quite simply, prefer "Lungs".

Rating: **** stars
Stand out tracks: "Heartlines", "Breaking Down", "Seven Devils"

Here's the music video for the third single, "No Light, No Light"

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Wednesday, December 07, 2011

The Mercy Side: Crossface

On Saturday, it was revealed on many wrestling websites that a film was to be made about the disastrous events that happened in the Benoit household between Friday 22nd and Monday 25th June 2007, and the life and career of the murderer, Chris Benoit. Benoit was an absolutely fine wrestler, one of the best, and his actions between these two dates were out of character yet brutal and some could argue, evil. Very little before or since the murder and suicide story has evoke such strong and diverse reactions.

Before I divulge in the idea of a film about Chris Benoit, let me tell you of the two sides to the man who was almost set in stone in terms of being one of wrestling’s modern legends, before the horrible incident occurred. On one side of the coin, you had Chris Benoit, forty years old, a technical genius in the ring and well respected by both rookies and his peers for his aggression and passion for the business. He worked his way up the highly political wrestling ladder from his days on the indie scene, to Japan, to ECW, WCW and eventually, WWE. He always had one of, if not the best match on every card everywhere he went and was well liked by many wrestlers backstage. A lot of people not only respected him, but he was a friendly man, helped out a lot of people in their careers while developing his own the hard way. He also had a great level of dignity; when WCW’s roster was getting thin because of the decrease in ratings and talent leaving the company, he was given the WCW heavyweight title, but after demanding change, left the company and vacated the title due to a lack of faith in him and the wrestlers that were still being held back due to politics. This shows his courage and passion for the business as a wrestling company rather than as a business for profit and greed. He left for the WWF, and despite injuries and a slow build up, he eventually won the gold at Wrestlemania XX and celebrated with long term friend Eddie Guerrero, who also retained his world title at the same event. It was one of the most emotional and real scenes ever displayed in a wrestling ring, a place where characters and acts are central and personal lives are hidden.
Due to the nature and subject of this article, this is the only picture I'm adding. It's a picture I personally want to remember, IF I have to think of Benoit.
And a personal life indeed was hidden. No one saw what Chris Benoit was to do coming. His work colleagues, friends, family, fans, and more importantly, his wife and son didn’t know what was coming. No one foresaw him as a person who could bound his wife, press a knee into her back and pull a chord around her neck and strangle her, as speculated. No one expected him to sedate his son and to suffocate him, as speculated. And then to kill himself by hanging himself with a chord attached to a weight machine. Who knows what went on in that house before Chris did these unforgivable things? Did he have issues with his wife? His kid? Was he just insane? It was certainly planned.

The most common and logical reason that is hypothesized is that brain damage and repeated trauma to Benoit’s head were major factors in this incident. It was discovered that Chris had damage to all four lobes of his brain. It is almost inevitable that so much strain to the brain gave him loads of concussions, and too many concussions can affect people’s behaviour. Because of Benoit’s actions the WWE have never mentioned his name on television again, and they have removed him from nearly all the archive footage in their history. Only his name, and his name only, is mentioned in the history books when he won titles. No descriptions on how he won, the feuds that lead to the wins are stated. Just his name. Also the WWE have made their product much safer, they have stopped chair shots directly to the head and removed the gore element of their matches. If blood is shed in matches now, it’s certainly not fake blood or cuttings, and the match is often paused so the officials can deal with the injury. Most importantly, the WWE have tried their best to make sure things like this never happen again by including a Wellness Policy that tries to eliminate illegal drug use, including steroids and abuse to prescriptions. The WWE Wellness Policy actually started with the death of Eddie Guerrero, two years prior, but activity was definitely revved up after the double murder and suicide of Chris Benoit. The WWE have acted very professionally in this situation, after all, they have to defend their company but they also needed to take certain measures so that these situations would hopefully never happen again.

It’s a horrible and scratchy subject to bring up, the wrestler once known as Chris Benoit. Why? Because one of two memories always crops up, for nearly everyone. The majority of people I’d say think of the horrible and disgusting ending to three people’s lives when they think of Chris Benoit. But there is a minority that like to celebrate the wrestler that was Chris Benoit, and try not to think about him as an evil man who committed unforgivable actions. I’m probably in the latter. Now, before you jump on me and tell me I’m terrible for having that view, as I’m sure there are many people who just can’t fathom to understand how that can be a possibility. But I don’t like to see the negative side of people if I can help it. Don’t misunderstand me, I don’t jump away from the subject, if people ask me for my thoughts on what Benoit did, I’m one of the first to say it’s disgusting, sick, inexcusable and reprehensible. But I like to think about his work in the ring before those actions. The reason is simply because I don’t want to think about those things, I mean who does? So that’s the reason. But I try not to think about Benoit at all, because of it beign such a sketchy subject.

The same by the way applies to other talented men who did committed malevolence, like Gary Glitter. I see them in the same boat. I grew up listening to Gary Glitter as a kid and loved his music. By the time I was entering my teens news was rife about his disgusting and filthy actions towards children. Those actions are equally as indefensible. But if a Glitter song comes on, I try my best to enjoy it, as it was good music from the seventies. So, that’s my attitude towards these things, and if you don’t’ agree with it I can completely respect that, just try to understand my logic is all I ask.

Anyway, back to the subject, a film is apparently going to be made about Chris Benoit, and most particularly, the acts he caused. Why? Well the film is to be made by SRG films, and the chief there had this to say:

“Chris Benoit has become a poster child for everything that’s wrong with professional wrestling and Sarah [Coulter]’s terrific script captures his struggles and the many factors that led to the deaths of three people.”

“People immediately point to steroids, never thinking about the brain trauma these wrestlers can, and do, incur in their profession, nor do they consider the rigorous schedule that keeps them working even when they shouldn’t be. The Benoit story is one that needs to be brought into the light.”

So in an nutshell, the idea is that this film is going to raise awareness of brain trauma and the hectic schedule that wrestlers have to deal with (which can be around 300 nights a year of wrestling) and its effect on them. Essentially, this film will focus on the negatives of wrestling and the toll it has on a human being. I’d say you’d expect to see lots of headshots and headbutts and a lack of focus on the wrestling side of things. It'll be more about Benoit's life than his career. It's going to be unsettling to watch and is being made to emphasise how dangerous the game is. So if you’re expecting a film paying homage to wrestling, or even more stupidly, to Benoit, then you’re wrong. This film is here to shed a dark light on wrestling. And not even in a way similar to The Wrestler.

Comparing this film to The Wrestler, the good thing that The Wrestler does is celebrate wrestling. Yes it deals with the hard and grubby situations that wrestlers have to deal with. It deals with a lot of negative aspects of wrestling, but it does it in a tasteful way, a realistic way and it does it educationally. The Wrestler got nearly everything inch perfect about how wrestling life is like. And the best thing is, it IS homage, as it shed great light on the spectacle, on the show, on the sportsmanship and the good and great. It had a balanced story of positive and negative.

This film won’t do that. There will probably be very little actual wrestling in the film. I’d expect most of this film to be out of the ring, and full of speculation on what happened backstage, in the Benoit household and the potential motives the man had. It’s going to be very dark and extremely unsettling.

Am I for or against this film? It’s hard to say, it’s not as black and white an answer of yes or no. I'm 'for' the idea of bringing focus on the dangers of brain trauma and the psychological strain these guys go through. I’m for the educational purpose of this film. But I'm against the idea of these people trying to take a negative spin on all the great things about wrestling, and the WWE in general, The Wrestler did this but also celebrated wrestling. Let's be honest, these people want wrestling to be banned or at least strong lines to be drawn on what can and cannot happen in a wrestling ring, which in a certain way you can admire them for their concern, but I think the WWE have things under control more now than they ever had. To expect miracles in four years is stupid.

The main problem with this film is simply that it’s a film in the first place. They describe the film as a “biological thriller”. Really? If it was a biological film it will deal with the life of Chris Benoit. It’s not about Benoit as a person; it’s about Benoit as a murderer. I very much doubt there will be no stories on Benoit as a child, or as Benoit as a teenager. There may be some parts of the film that deal with Benoit’s early career, but only as a referencing point of how early he was causing damage to himself. So that’s not a biography really is it? Of course, in the end I’m speculating what the film will be about and do I know really? No I don’t, but I think it’s obvious how this film will be made if you put the thought into it.

The worse part of the whole film will be the actual scenes of murder. Once again, reports are strong about what happened and the methods used, but in the end, no one knows what happened the night before the murder. Did Nancy provoke Chris? How much thought did Chris Benoit put into killing his family? The motives were there but did he plan it the day before, the morning of, or longer than that? No one knows this. And to further this being the worst part, watching a grown man sedate a young boy and then suffocate him is going to be absolutely distressing to watch. Benoit didn’t strangle his son; he suffocated him, probably with a pillow or a plastic bag or something. In the end, this is a film; you’re supposed to enjoy films. Even thrillers and horror films are to be enjoyed. How can you enjoy this? Yes it’s described as a “biological thriller”, and it is certainly ‘thrilling’, but for the wrong reasons. It’s unsettling, it’s upsetting and it’s uncomfortable to think about. Also, how does the film end? In the end of a film you should have some form of satisfaction. It doesn’t always have to be a happy ending, but how can you end a film like this? Where does it end? If it ends at the point where Chris commits suicide, that’s a hideous ending. It if ends with the police finding the bodies, it’s equally as horrible. How else can it end? It’s just not a story that has an ending where you can feel fulfilled and all you have at the end of watching such a film is discomfort and distress.

So on the whole, I'm against this film happening. There are pros, but the cons dramatically outweigh them. Yes this is a subject that has relevance and importance, but the WWE have already taken good steps to make sure these horrible stories don't happen again, with the ban of headshots, the turn into a PG product and the banning of fake blood and the graphic side to wrestling on the verge of obscurity. But the idea of making this scene into a film is also baffling due to it actually having to be a film anyway, and there’s no satisfaction to watching the events unfold, even for educational purposes. But if they are to make this film, I'm definitely interested to see to and I will watch it, with clenched fists and seething teeth. Thanks for reading.

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