Fancy listening to something new? Get this album; it’s worth
the risk.
The Eighties Matchbox B-Line Disaster (abbreviated now to
TEMBLD) returned this summer after a 6-year album hiatus with Blood and Fire.
One again this band has failed to captivate a wide audience, sales weren’t
great, they’ve barely been on the telly, and there’s been no advertisement. But
hey, TEMBLD never make it easy for themselves do they!
Before I get into the meat of this review let me give you a
quick biography of this band, if you have never heard of them. TEMBLD are a
gothabilly band, it’s probably the best bracket to place them in. They’re like
a fusion of The Birthday Party and The Cramps, revved up and spat out into
today’s indie music scene. They are a breath of fresh air, mixing roaring
vocals, chainsaw guitars and almost indecipherable lyrics. This band kicks
fucking ass. But unfortunately for them, their influences are coming up to
thirty years old (jeez it’s really been that long…) so they aren’t popular. It
also doesn’t help that they really publicise their great music talents and
inspirations, and love their hometown of Brighton too much and gig there very
often.
They have had a few chances to make the big time, they have
toured with some damn good bands, being System of a Down and The Queens of the
Stone Age (TQotSA). Hell, The Royal Society (their second album, released 2004)
was produced by a fine producer named Chris Goss, who has produced great albums
by TQotSA as mentioned before, Kyuss, Auf der Maur, The Cult, and U.N.K.L.E..
“Shaun of the Dead” actor Simon Pegg’s a big fan, and has “Mister Mental” in
said film. They are also on the Gran Turismo 4 soundtrack, a very popular video
game at the time, with “Psychosis Safari”.
Yet is hasn’t happened. It’s a double whammy of
disappointment, they don’t try hard enough to get their name out there, and not
enough people are interested in seeking them out. Shucks. But for the people
who are interested, they have now released attempt #3 at “making it”.
Unfortunately it seems this attempt isn’t third time lucky, but once again,
it’s a solid outing. That’s three in three in terms of great albums, but three
in three in terms of commercial failures. Some bands just don’t get their
break!
We start the album off with “Love Turns to Hate”, a song I
was quite familiar with beforehand, as I heard their demo of the track a good
four or five years ago. This is a crisper, more complete version of that demo,
and is also their staple single. If you have heard their material before, quite
simply, you will like this, the familiar sounding buzz guitars are evident
whilst singer Guy McKnight howls the chorus. It’s a great opener that sucks you
into the album straight away.
But then, things change. We are then treated to “Mission
From God”, which twists their formula a bit. Those howling vocals from
McKnight, they change into melody. I mean I say melody in quite a harsh
understanding; he isn’t Freddy Mercury (sorry if you ever read this Guy!). But
we are treated to another transition in this band. You see, they also did it
with “The Royal Society”, TEMBLD aren’t afraid to change their styles around,
that transition was from edgy punk to goth. This transition is more changing from
goth to a blend of new wave and indie, maybe, dare I say it, possibly some emo.
But it’s good; in fact it’s great. So we continue down this road to track 3,
which is the second single, “So Long Goodnight”, which is the closest we have
so far to a ballad by the band. It’s a beautifully sung song by McKnight, and
the lyrics are great too, my fiancée claims only Guy McKnight can get away with
saying “hun” in a ballad! This isn’t your regular ballad, well TEMBLD aren’t
your regular band. It doesn’t take long for the song to start the heavy base
that is easily identifiable with their sound, and ruins any romantic notion
that they started. But it doesn’t matter, TEMBLD don’t follow the rules, and
they always get away with it, just. “So Long Goodnight” is a fantastic listen,
for odd reasons.
It’s only when we get to “Monsieur Cutts” when we get this
band’s old sound back. And what a song it is. If you have ever heard “Horse of
the Dog”, their first effort, and loved it, you’ll feel right at home with this
track. Guy screams the lyrics to a frenetic baseline; it’s a fantastic homage
to their old self. But then the album reverts back to the new sound. It doesn’t
take long until we get to “Man for All Seasons” which a bizarre way of
describing is a like a combination high school disco and moshing. It’s just a
sweet track, definitely my favourite on the album, it’s hard not to move to it,
which is something you don’t get often with this band. The album finishes with
“Are You Living”, which is another slower (I wouldn’t ever say the word slow
for any of their songs!) track by the band, which brings the album full circle
with their new style.
TEMBLD’s third effort is not like their second, or their
first. They have made three very different albums, each with a slight diverse
feel, but all as great as each other. You could argue that this is their most
polished album yet, it’s the closest the band have got to an album that should
please a casual audience, but this audience just don’t want to know them, which
is a shame. “Blood and Fire” is definitely worth a listen; all the tracks are
currently on Youtube for free (they might get taken down in the future), so
give a few songs a go. If you have never heard this band and fancy listening to
something new, please, support this band; they’re more than worth a punt. I’d
recommend this band to anyone who likes rockabilly, psychobilly, goth,
industrial, punk, indie, new wave, and the obscure 1980’s sounding bands. They
really do mix all the above genres brilliantly. Below is the video for the
video for the first single, “Love Turns to Hate” (please excuse Guy McKnight’s
Nick Cave moustache!) to start you off. Support this band!
Rating: ****1/4
Stand out tracks: Man for All Seasons, So Long Goodnight,
Monsieur Cutts
