Showing posts with label leona lewis. Show all posts
Showing posts with label leona lewis. Show all posts

Monday, December 12, 2011

The Mercy Side: An Empire of Dirt

On Saturday night I was made aware that pop singer Leona Lewis was covering a song called “Hurt”, originally written and released by industrial metal band Nine Inch Nails. I believe Leona Lewis sung this song on the X Factor recently and the EP was released yesterday, with this song and two other cover versions of songs by the Goo Goo Dolls and Counting Crows.

Now my initial reaction was one of disgust and anger. My feelings haven’t really changed on the situation, but after raising my views with many people of different interests and musical tastes, it’s not as straight forward to slam this move as originally thought. There are a lot of complications and perceptions when it comes to doing cover versions, and who does them. Before I get into that nitty gritty however let me make you aware of this song and its importance, in the event you don’t know of it.

“Hurt” was written by Trent Reznor, lead singer and mastermind of the band Nine Inch Nails, and was the last track on the critically acclaimed album, “The Downward Spiral”, released back in 1994. Trent said he wrote this song in his bedroom and it was written when he was at his lowest ebb, on drugs, depressed, suicidal, and potentially self harming. The song is usually interpreted in one of two ways, either as a suicide note (obviously not Reznor himself, but a possible persona he created for the album) or as someone hanging on the edge of life but manages to cling on and finds reason for living. Lyrical evidence supports both arguments with the lines “Try to kill it all away/But I remember everything” and “You are someone else/I am still right here” can be interpreted in either direction.
Much to Reznor’s surprise, the song was praised by both fans and critics and has remained one of the most important songs of the nineties and a song that has a strong setting in nearly (if not every) Nine Inch Nails gig. Self harm is a very serious issue, and it has only for the last fifteen or twenty years become more prominent. A lot of people who have harmed themselves, tried to commit suicide or suffered with severe depression have found comfort in this song, knowing that a high profile singer like Trent Reznor has had similar issues in his own life. The good news about Reznor himself is that while this wasn’t the end of his drug problems and personal demons, it was his own “Downward Spiral”, one that things would slowly get better from. For the next 7 years Reznor still had these issues but they would come to an end in 2001 after he entered rehab and successfully stopped taking drugs, and his life is better now than it ever has been, with a wife and a new baby. But the elements in “Hurt”, its meaning and significance to Trent Reznor remain key to his life and career, and the fans of his music.

In the beginning of 2003, nine years after the song’s release, country music legend Johnny Cash decided he wanted to cover the song on his album “American IV: The Man Comes Around”, which had many cover versions, including songs by Depeche Mode, Simon and Garfunkel and The Beatles. When the producer of the album, Rick Rubin, asked Trent if Cash could cover the song Trent said he was flattered due to Johnny Cash’s status as a legendary singer, but he was concerned it would sound “gimmicky”. Trent never heard Cash’s version until the music video was made and released and had this to say when he heard it:

“I pop the video in, and wow... tears welling, silence, goose-bumps... Wow. [I felt like] I just lost my girlfriend, because that song isn't mine anymore... It really made me think about how powerful music is as a medium and art form. I wrote some words and music in my bedroom as a way of staying sane, about a bleak and desperate place I was in, totally isolated and alone. [Somehow] that winds up reinterpreted by a music legend from a radically different era/genre and still retains sincerity and meaning — different, but every bit as pure.”
What made the song so amazing was the music video, produced by Mark Romanek, who had also worked with Trent Reznor no less than two occasions before, with music videos for “Closer” and “The Perfect Drug”. Romanek wanted to emphasise on Johnny Cash’s clear frailty, the weakness the elderly state of the country musician and contrast it with his bright and beautiful career. Some say this song is Johnny Cash’s epitaph, which is ironic due to the nature of the lyrics, but it some how fits in with Cash’s career. No, there are no signs of self harm from the Man in Black, but drugs and depression almost crippled his career decades ago. And as Johnny Cash died in September of the same year, the video is as striking as anything; it brings fantastic closure to a career that spans 58 years.

The song has been covered by other artists, although it’s usually been done live, and as homage to Nine Inch Nails, or maybe because they too, had serious issues in their lives, or can associate with the people that have. Artists that have covered it include Tori Amos, Matthew Good, Peter Murphy, Breaking Benjamin, Underoath, Aaron Lewis, and Sevendust. However the big difference between Leona Lewis and these artists is simply the genre of music, and more importantly, the lack of logic behind such a cover version.

I don’t claim to know much about Leona Lewis, she’s not someone I enjoy listening to and I’ve barely followed her career. What I do know however is that she is 26 years old and she won the X-Factor back five years ago. She’s been singing for most of her life and she didn’t get a break she arguably deserved until she appeared on the TV show. As I said, I don’t really like her music personally, but I do think she has a fantastic voice; she is a brilliant singer and as far as a lot of the other X-Factor contestants go she’s probably the most talented and most deserving winner on the show so far. However, there’s very little revealed about Leona Lewis’ background and personal life, but from what I can tell she had a decent upbringing in London from her parents and was raised musically pretty much her entire life. She seems like a nice woman, I can’t say she’s ever come across as anything other than a charming and respectful person who has kept her feet on the ground despite her immense popularity.

But that’s a lot of the issue here. In a certain way I feel Leona Lewis has no right to cover “Hurt”. Has she ever “hurt”? I can’t say she has, not in the depths and stresses the song talks of. Sure, she got hit in the face two years ago by some idiot, but has she ever been depressed? And by depressed I don’t mean she split up with her boyfriend and felt down. I mean she has suffered through anxiety and can’t face to looking out of her own window. Has she ever felt like hurting herself, to deal with depression? Has she ever felt suicidal? I really doubt she has.
I’m a very lucky guy. I’ve never been depressed. I’ve never felt like killing myself. But I know a lot of people who have. I’ve had to watch some of the closest people to me suffer with symptoms they have very little to no control over. It’s awful. It’s distressing. But what I feel is nothing in comparison to how some of them feel. If I could sing, I too, would have no right to cover this song.

But for Leona Lewis to even contemplate covering such a song, is appalling. This isn't a pop song. This isn't a song that a pop singer with a cushy lifestyle should be touching. And I’m sorry I’m being blunt but in comparison to what the people who find comfort in this song have gone through, she has a cushy lifestyle. Yes, Trent Reznor was addicted to drugs. I’m sure a lot of people who understand and seek assurance with the track have too. But, does Leona Lewis don't have any idea what the song is about? And if she does, is she really a person that should be singing a song about such upsetting topics?

This cover version isn’t about raising awareness, if it was I’m sure Leona Lewis would have made that clear by now. If she has suffered, or a friend or family member suffered, and she wants to show understanding, she would have said so by now. And if it’s about homage, has she even come to understand that it’s Trent Reznor of Nine Inch Nails that wrote this song? If so she hasn’t shown it.

There is an argument to this opinion of mine, one that I am aware of, and that is about the rights to the track. Does Trent Reznor, the lyricist, or Interscope Records, the record company, have rights to the track? It’s still not clear if Reznor has the rights, or if it’s the record company. There’s a point to be made regardless of who has the rights to the song and that is in the end, Reznor gave away the move for this cover version to happen in the first place. If Intercrope have the rights to the song, it’s only natural that they would agree for such a huge pop star like Leona Lewis to cover the song, as it would give them a lot of money. If however, it is Reznor that has the rights to his own music, then he gave Leona Lewis direct permission to cover the song. And if so, why? Trent Reznor is a clever man in the respect that he rarely makes moves based on money and greed, but for the good and honourable options available. Johnny Cash is a country music legend, and someone who was unfortunately close to a terminal state when he asked for the rights to cover the song. Leona Lewis is a pop singer, and it’s often clear that Reznor has a large distaste for that genre of music. In my opinion the chances are low that it is Trent that gave Leona Lewis a big, juicy thumbs up for covering this song but it’s not been made clear at all.

In the end one thing is for certain is that someone is cashing in on Leona Lewis’ mainstream popularity against the logic and understanding of the contents in which she will be singing. Someone once said that the topic shouldn’t dictate who sings it, but there should be I feel. Especially when it’s such an important topic. But it doesn’t matter what I think, what matters is on written paper contracts, and the empires that control them. And if it is Interscope that have the rights to this song, this is an empire that does exactly just that. And while it’s not the “empire of dirt” that Trent speaks of in this prestigious song, it’s an Empire of Dirt that chooses making money over keeping songs like this immaculate and untouched. An Empire of Dirt that would rather put their slime on the feelings of thousands of sufferers for the sake of making a quick buck. And it really shows that money indeed, is what makes the world go round.
Do you agree? Disagree? Am I being too sensitive? I don't think so but I can see why you might think so. Comment below with your thoughts. Thanks for reading.

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Wednesday, May 18, 2011

Noughtie: The 100 Most Important Songs of the Decade (Part 7)

To view part 1, click here.
To view part 2, click here.

To view part 3, click here.
To view part 4, click here.
To view part 5, click here.

To view part 6, click here.


Here's the beginning of my official Top 40, from #40 to #31!

#40. "I Predict a Riot" - Kaiser Chiefs
Released: 1/11/04
Album: Employment

Accolades: #36 in NME's 50 Greatest Indie Anthems Ever
Chart Positions: UK - #9, US - #34 (in Alternative Songs Chart), Best Elsewhere - Ireland - #25

For a song with no appearances in the media and one major accolade it's ridiculous that this song hasn't gone more. This song is just simply one of the biggest anthems of the decade. It's a proper lads song, it's one of those songs that you can just shout the lyrics to at the top of your voice. It sounds great, it's got awesome lyrics and it's quite simply one of the most important songs of the decade. If it wasn't for this song or the popularity of it, the band wouldn't have been the same.

#39. "Fell in Love With a Girl" - The White Stripes
Released: 23/4/02
Album: White Blood Cells

Accolades: Rolling Stone's 40 Songs That Changed Rock History Chart
Appearances: Rock Band (video game)
Chart Positions: UK - #21, US - #121 (#12 in Modern Rock Tracks Chart)

Another song that makes you wonder how it hasn't got any more accolades or appearances to its name. But this isn't a list just about accolades and appearances, it's about other things. It's about airplay, it's about how often the song was played at the time, and more importantly, going in to the future. And "Fell in Love" is one of those songs that just stand out so well in the decade as a quick little ditty of greatness. It's a song that sounds so raw yet it has such fantastic charm it's unbelievable. How often can you describe something as raw and charming in the same sentence? Well this song does both. Naturally the video is the appeal to a certain extent, such a simple idea of getting band playing in lego form made such cool viewing. But the song itself, while probably wouldn't have been commercially as successful without the video, can stand on its own two feet against other songs and win many climatic battles as one of the most important songs of the decade. This song won't leave our radio stations and music channels anytime soon, trust me.

#38. "Last Resort" - Papa Roach
Released: 23/4/00
Album: Infest

Appearances: The One (movie), Training Day (movie), Pay it Forward (movie), Smallville (TV series), Cold Case (TV series), Rock Revolution (video game), Rock Band (video game), Tap Tap Revenge 2 (iPhone game), G.I. Joe: The Rise of Cobra (movie)
Chart Positions: UK - #3, US - #57 (#1 in Alternative Songs Chart), Best Elsewhere - Germany - #4

Wow I never knew this song got to #3 in the UK. For a song of its genre, of its lyrical theme, you wouldn't have imagined it getting this high up our pop and RnB orientated charts. You can easily make a case for this song to being on of the first true modern "emo" songs, although it was in the badly reputable "nu-metal" genre at the time. "Cut myself into pieces, this is my last resort" is arguably one of the most well known lines in any song of the decade. The video, while very simple in its broadcast, is very iconic, showing poor little kids being depressed in their homes, and then apparently enjoying a Papa Roach gig. Papa Roach have had a decent career, their lifespan is longer and more respected than Limp Bizkit's and they haven't "sold out", something a lot of people Linkin Park have done. But this song will never be beat for popularity, and most importantly, it's significance and impact on the world of music.

#37. "Dare" - Gorillaz
Released: 29/8/05
Album: Demon Days

Chart Positions: UK - #1, US - #87 (#8 in Alternative Songs Chart), Best Elsewhere - Belgium - #3

For a song with no appearances, no major accolades, this song gets a TONNE of airplay. Surely this song is one of the most played songs of the decade, in clubs, radio stations and music stations? This song was much more prominent on its release than "Feel Good Inc" was, although the former was a bigger hit in the US. "Dare" was just a fantastic blend of alternative rock, brit pop, techno and dance music. This song pretty much sums up the Gorillaz in one sweep in terms of what their music sounds like. It's still the bands only #1 hit in the UK so far, and you could argue it was universally accepted by all music fans of all diversions. It's a true quality track that lives up as arguably the bands most popular time in their career so far.

#36. "Supermassive Black Hole" - Muse
Released: 19/6/06
Album: Black Holes and Revelations

Appearances: Twilight (movie), Guitar Hero III: Legends of Rock (video game), FIFA 07 (video game), Supernatural (TV series), Doctor Who (TV series)
Chart Positions: UK - #4, US - #6 (in Alternative Songs Chart), Best Elsewhere - Denmark - #7

It's quite hard to choose one single by Muse as their most important, their most groundbreaking, their most popular, their best song in the decade. My punt is "Supermassive Black Hole". It's arguably their first worldwide hit, with it hitting the Danish, Finnish, European, Irish, Italian Top 20's.  When "Time is Running Out" came out, America still paid very little attention to the band. When "Uprising" came out they were all over Muse. Yet this was the middle ground, this was when America started to notice this cool British band, yet Europe embraced them. It's still their biggest hit in this country. It's also, in a biased way, one of their coolest songs, the riff is fricking awesome. So that's my justification for it being the highest Muse entry in this listing.

#35. "The Pretender" - Foo Fighters
Released: 21/8/07
Album: Echoes, Silence, Patience and Grace

Accolades: #47 in Rolling Stone's 100 Best Songs of 2007, Nominated for Best Rock Song at the Grammy Awards, Nominated for Record of the Year at the Grammy Awards, #5 in Triple J's Hottest 100 Songs
Appearances: Guitar Hero III: Legends of Rock (video game), Guitar Hero On Tour: Decades (video game), Rock Band (video game), Tony Hawk's Proving Ground (video game), Californication (TV series), CSI: Miami (TV series)
Chart Positions: UK - #8, US - #37 (#1 in Alternative Songs Chart), Best Elsewhere - Norway - #3

This was a huge song. For a hard rock track it got very high in many charts and it topped the US Alternative Songs Chart for longer than any other song in the year 2007. It was #1 for 18 weeks. Not only is it a big song chart wise but look at those appearances and accolades, despite it not winning, I don't think any song so far on this chart has been nominated for two Grammy awards. The Foo's always pull big about of the bag and have done so now consistently for a good 12 years, they're just this big and fantastic band that has universal praise. I just have an infinite amount of respect for this band and this song was easily one of their biggest of the decade, there is one more song by the band that I think is more important however... stay tuned to see it and how high it gets on this chart!

#34. "Use Somebody" - Kings of Leon
Released: 8/12/08
Album: Only by the Night

Accolades: Winner of Record of the Year Award at the Grammy's, Winner of Best Rock Performance by a Duo or Group with Vocal Award at the Grammy's, Winner of Best Rock Song Award at the Grammy's, Nominated for Song of the Year Award at the Grammy's
Chart Positions: UK - #2, US - #4 (#1 in Alternative Songs Chart), Best Elsewhere - Belgium - #1

What was the bigger song? "Use Somebody"? Or "Sex on Fire"? They were both HUGE hits, and both are responsible for the Kings of Leon being on top of the rock world right now. For me, "Sex on Fire" is the bigger song, you'll find out how much bigger in this listing later on.
"Use Somebody" was the song that finally brought the band's breakthrough in America. It was a beautiful ballad, and was proof that the band's sound was changing, for better or for worse. It was definitely a more mainstream sound that's for sure. But the transition of Kings of Leon, including their beards, is a fascinating story, it's one of the most interesting stories of the decade artist wise. I remember, and I'm sure many of you do too, a time when Kings of Leon were just random Americans singing country and garage rock hybrid songs on MTV2. Now look at them, you couldn't have imagined this song being any wheren near as big as it was six or seven years ago. It's fascinating, and kudos to them for that.

#33. "Oh My God" - Kaiser Chiefs / Mark Ronson
Released: 17/5/04 / 16/7/07
Album: Employment / Version

Appearances: Driver: Parallel Lines (video game)
Chart Positions: UK - #6, Best Elsewhere - Ireland - #27 / UK - #8, Best Elsewhere - Ireland - #21
 /
I was debating whether or not to put this original song in, the very well received Mark Ronson cover version. So I thought I'd put both as one entry as they're both important and successful. Also, it's the same song.
Now I'm effectively cheating as this is the fourth and final Kaiser's song on the list, when I said in the beginning that I'd be setting a cap of three songs per artist. But if we're getting THAT picky, consider it Mark Ronson's entry.
"Oh My God" is still arguably the Kaiser's most important song, it's got one of the greatest, catchiest and simplest choruses in the decade. The song, while being released the second time, did very well in the charts and shows you how far the band had came. In 2004, this song got to #66, yet in its re-release it jumped 60 places. The Kaiser Chiefs, as explained in other entries, are just a great, humble band that are just so happy making music and enjoying the fame they are getting. "Oh My God" was their little baby that started it all off, and it's arguably their finest moment. The Mark Ronson cover version was great, the band also appeared in the video and it was just a really cool jazz version of the song. Mark Ronson did a great job of covering many songs, and this one is one of the bigger and more important songs. I don't think you can go through this decade of music without mentioning Mark Ronson.

#32. "Hurt" - Johnny Cash
Released: 8/3/03
Album: American IV: The Man Comes Around
Accolades: Winner of Single of the Year Award by the Country Music Association, #1 in Rate Your Music's Top Singles of the 2000s, #1 in UpVenue's Top 10 Best Music Covers, #60 in Triple J's Hottest 100 Songs of All Time, #15 in Rolling Stone's Top 50 Songs of the Decade, #2 in CMT's Songs of the Decade
Listings: Best Videos, Top 100 Songs of the Decade
Chart Positions: UK - #39, US - #33 (in Alternative Songs Chart), Best Elsewhere - Norway - #8

No song in the world, even the original Nine Inch Nails version, gives me the goosebumps, the feeling, the emotion that this song gives me. I could probably babble on for paragraphs about how this song makes me feel, I've already talked about it twice on thie site before, on the Best Videos page, and on the Favourite 100 Songs page.
It's not hard to explain why this song was important. No, the song didn't chart well, but some songs on this list have a legacy no sales records can touch. Johnny Cash, country rock 'n' roll legend, took a song from an industrial metal artist from 1994 and turned it into this heart wrenching, tear dropping, dark yet elevating masterpiece. It's hard to imagine a better way to end your long 50 year career than this way. Most rock stars (I know he's a country star but I always see him as a rock star too, he's far cooler than other people who call themselves "rock stars") die in their prime, or just after their prime. But was there a prime with Cash? Was there a sparkling moment in his career? You could argue it was the Folsom City Blues era, yet "Hurt" is arguably more prominent than any of his original songs, I think "Ring of Fire" is the only song that touches the song for popularity and "I Walk the Line" for importance. This was a man around half a century in his career. And look at the song. It's just so amazing, so real, his iconic vocal chords trembling through the guitar and piano. It's just an iconic moment in the decade, and in music history in my personal opinion, it's the hardest song to place in this list that's for sure, but I've put it here at #32.

#31. "Run" - Snow Patrol
Released: 26/1/04
Album: Final Straw
Appearances: The Chumscrubber (movie), Rescue Me (TV series), The Guardian (movie trailer), Doctor Who Confidential (TV series), Cold Case (TV series), Jericho (TV series), Life As We Know It (TV series), Wide Sargasso Sea (TV series), One Tree Hill (TV series), Empire Falls (TV series), Mad Dogs (TV series)
Accolades: #874 in The Rock FM's The Rock 1000 Songs
Chart Positions: UK - #5, US - #15 (in Alternative Songs Chart), Best Elsewhere - Netherlands - #22

Someone like myself, who doesn't hasn't (until now) done a great deal of research on Snow Patrol, never knew that "Run" was on their third album. Third time lucky I guess, as this was a mega hit. It was also the second single off that album too, so the song's quality shines very well. More evidence is the fact that Leona Lewis chose to cover this song, and got it even more mainstream attention, so much in fact that it this original version re-entered the charts as a result four years later. Snow Patrol would later have more chart success than this track, yet when I, as someone who isn't a fan of the band, think of one song by them, this comes to the front straight away. I'm sure a lot of people feel exactly the same.

To view part 8, click here.
To view part 9, click here.
To view part 10, click here.
To view the winner, click here.
To view my methods and explanations, click here. 
To view a full archived stats index of the songs listed, click here.

Wednesday, March 09, 2011

Noughtie: Most Important Artists


Welcome to Part 19 of the Noughtie series. We're almost there now... this is the final listing before the BIG TWO listings. This is the final preview listing. This listing, is the official preview for the big finale, the Top 100 Most Important Songs of the Decade.

So the artists below, they're not my favourite artists. I like some, not others. But, in my opinion, no other 10 artists made a bigger impact on the decade. Put simply, if none of the 10 artists featured in this listing made music in the decade, this decade wouldn't have been the same. So these artists, as you can imagine, will have a big say on who comes out on top when I count down the Top 100 most important songs of the decade. It's getting serious now, so let's get to business.

#10. Muse
Muse have had a great decade. After their debut album "Showbiz" in '99, which was well received yet relatively green, Muse embarked on a journey to take over the world. "Origin of Symmetry" in 2001 was a fantastic album, and raised a lot of eyebrows in the UK, making Muse one of Britain's promising new acts. "Absolution" in '03 solidified their status of one of Britains best bands. In 2004, Muse's performance at Glastonbury has been seen as one of the most fantastic festival gigs of all time, and was reminiscent of Radiohead the year before. The difference was that Muse were entering their peak, Radiohead were on solid ground around the world.
That's exactly what Muse wanted to do next. They had conquered the UK, but they needed to broaden their horizons. They were barely knocking on the door of the US. But in 2006, "Black Holes and Revelations" was the Jack Torrence axe in the door of the US. They finally turned heads on the grand soil of America. And in 2009, Muse continued this vein of form with "The Resistance" a melodramatic Queen-inspired concept album.
Can Muse do better? Well they haven't had a #1 hit yet. But their music has been consistent, their singles are always great. Their biggest hit is "Supermassive Black Hole", which got to #4. Will they? I do feel it may be a matter of time. They just need to have that one song, the one that is universally well liked and for the charts to go in their favour at the same time. Good luck to them.

#9. Arctic Monkeys

Continuing the theme of UK bands, the Arctic Monkeys have also had a great decade. They only released their first album in 2006 but the three albums released in the decade are all huge hits and have been universally well received critically and have sold very well. Man, the anticipation for "Whatever People Say I Am, That's What I'm Not" has never been replicated in the decade, in my opinion. It was the fastest selling debut album in the UK, although I'm unsure if it's still got that record. So many people have called the Arctic Monkeys the new Oasis, which is a huge compliment due to the popularity of the Brit-Pop band. However personally, I believe the band play better music, but this isn't a biased listing!
It's difficult to say where the Arctic Monkeys can go from here. They have produced three great albums, all well received, but they can't seem to penetrate America much. They seem to have come to a bit of a halt, and while they are near the top, it's still a long way they can fall if they get complacent. 2 number 1 hits in a row hasn't been replicated, although "Brianstorm" got to number 1. Here's to Arctic Monkey's fourth album being hopefully the one to get the attention of the Yanks, because they deserve it.

#8. Linkin Park

Here we go, we've gone overseas now. Linkin Park have also had a great decade, in the US and the UK. It's rare for a metal band to have such a large fanbase, especially so early in their career, and they've managed to keep a good amount of those fans to this day. "Hybrid Theory" has sold a ridiculous amount of copies, and is still considered one of the best albums of the decade today. As I said, a metal band like Linkin Park getting this popular is an oddity, but they do take it in their stride. Their two lead singers, Chester Bennington, who does the melodies and the screaming vocals, and Mike Shinoda does the rapping. It's unusal that a band with two lead singers have no ego issues whatsoever. It's also a fantastic combination, I love the songs that have both vocalists play sections of the track (Papercut, Bleed It Out), the two styles really blend fantastically well.
It's hard to really talk more about Linkin Park, they're one of those bands who have just done fantastically well, they've made a lot of money on all their albums and singles, but haven't quite got to the top of the charts. I doubt they will to be honest, especially with their sound slightly tweaking nowadays, to suit a more emo audience (that's not a knock on the band, a lot bands evolve their music to the sound of the moment). Kudos to them.

#7. My Chemical Romance

I've discussed a few times about the fact that I don't like this band. But this is an unbiased listing, and like it or not, My Chemical Romance are one of the outstanding artists of the decade. MCR are one of the flag holders for the emo invastion that surged half way though the decade. Songs like "I'm Not Okay (I Promise)" and "Helena" stapled their status as a band with starpower. Teenage girls cried ovr Gerard Way's looks, and all teenage boys modelled their looks after him. "Three Cheers For Sweet Revenge" is an album that is cemented in the decade's history as a band here to stay.
Then came out "The Black Parade". I've got to admit, an emo band, an emo band doing a concept album, an emo band doing a concept album with "Welcome to the Black Parade" as the debut track off the album getting to #1 was one of the shocks of the decade for me. How did that get to #1 in the UK? It's an extremely unfancied track, it's not particulary catchy. But they did it. Kudos to them.
MCR have enough in the bag to pull a large fanbase in the mid-teens department with the look of the band being the prominent selling point, and their talents as a band being tolerable enough for them to continue in their success in the next decade. I'll never like them though.

#6. Blink-182 
 
It's funny, Blink-182 haven't actually released an album since 2003, yet they've managed to stay extremely relevant through the decade. Their huge three albums (Enema of the State was released in '99, but in 2000 "All the Small Things" is their biggest hit ever) around the start of the decade has cemented them as one of the greatest punk rival bands of the decade. They tweaked their sound with the last album to appeal to the rise in emo music, yet they still had that punk revival edge to their music. They were, sorry, are, just a very likable band. I mean personally, they're okay, but I don't know many people who dislike the band. They have a very loyal fanbase, who are one of the main reasons why they have got back together in the first place.
"All the Small Things" will not be beat. It's one of the most important songs of the decade, quite how important you'll find out in my final listing, but the video, along with the simple lyrics and soft sounding guitars, makes it incredibly relevant. But they did a lot of good, fantastically received songs. They've had a great decade, although most of the actual music making was in the first half of it.

#5. The Killers

We're approaching the big five now. There's a level up from this moment on I think. The five bands I'm about to mention dominated the decade. We're starting with The Killers. The Killers released three albums last decade, all three of them got to #1 in the UK album charts. All three albums were critical and commercial successes. All three albums had huge hit singles off them. That's quite frankly the reason why they're this high on the list. If you listen to the radio that plays songs from the last 10 years, chances are you will hear these songs. Whether it's "Somebody Told Me", "Mr Brightside", "When You Were Young", "Human", or another track, you will hear them. The Killers rocked the decade harder than most bands. They never got a #1 single in the UK, the closest they got was #2 with "When You Were Young". That will be their next target I'm sure, when they release their new album late this year or early next year.
My thoughts on The Killers? They're okay, they make songs that are radio friendly that I can listen to without any problems. There's no song I can say I love by them though#. But once again, The Killers are one of those bands that seem universally popular, I don't hear many haters of The Killers. Maybe I'm not looking hard enough!

#4. Coldplay

That's right Chris Martin, #4 in the most important listing in the world, Johnny Mercyside's Most Important Artists of the Decade listing. He's proud of that. Seriously though I couldn't help but tag that picture!
Anyway, Coldplay feel like they've been around forever. They're fifteen years old now, which is making me realise how old I am. You can like them or you can hate them, but they owned the decade, especially for Britain. No band really has come close to the success and popularity Coldplay have had. When "Yellow" and "Trouble" became huge hits in the year 2000, you could tell that there was something a wee special about the band, they had something that people found appealing. I don't like Coldplay can I say, but regardless, I could see there was something about them. And every album that came out after "Parachutes", the main single from that album took the charts by storm, took its place in peoples homes. You couldn't get rid of Coldplay when they released every debut track off each album. That's "In My Place", then "Speed of Sound", and then finally, "Viva la Vida". Coldplay released "In My Place", crossing their fingers for a #1 hit. It got to #2, beaten by Darius! Remember him!. I#m sure they were absolutely gutted!. Then "Speed of Sound"... got to #2 again. What was #1? Crazy Frog! Bwahaha! Ahem. Sorry. Yes so the streak continued, Coldplay never got a #1 hit. Until... "Viva la Vida" came out. Finally, Coldplay got to #1 in the UK. It also got to #1 in the US, the first time an artist from the UK had done so since the Spice Girls. Absolutely well fucking done. I mean I don't like Coldplay but it's nice when we can crack the US. And Coldplay did that. That's why they're the highest rated band from the UK in this chart. So that means that the other three must be American bands then. Maybe. Anyway, let's go.

#3. Kings of Leon

Kings of Leon were a huge triumph in the decade. They took country music, throttled it into todays garage rock and alternative rock music scene, and made it cool again. The three brothers and cousin from Nashville, Tennessee, home of country music, started off as one of those cool bands that produced high quality singles and very good albums. They became quite popular in the UK, more so than in the US, where their success was slowly built. Songs like "Molly's Chambers", "The Bucket" and "On Call" always made sure they were strong in the UK, while all their albums have gotten in the top 3 in the UK charts. Kings of Leon were hard to dislike, liked to swap beards and hair, and just be a great fucking band.
And then "Sex on Fire" came out. When that song got released, everything changed. Everyone was obsessed with that track, everyone was obsessed with this band. Kings of Leon had made it. The song got to #1 in the UK, it became everyone's favourite song to sing on kareoke, and spent a ridiculous amount of time in the charts. If you live in the UK and was listening to music in 2008 and have never heard this song then you are stupid. "Use Somebody" got released when America stopped sleeping and the Yanks finally paid attention, it got to #4 there and #2 here, resulting in two very strong singles in a row. Kings of Leon also started rocking brilliant tours, they were on top of the world. I can't say any of the bands on this list finish the decade as strong as Kings of Leon do.

#2. Green Day

 
I'm going to make a confession here. The top three you are going to see today are not in the order they were when I started writing this. The top three have changed places a lot, and I've decided on this. I can't change it now. Disagree? You can debate that.
Anyway, Blink-182 were not the biggest punk rock revival band of the decade. Green Day was. They have tweaked their sound to appeal to a broader audience, and their last two albums have sold a ridiculous amount of records. "American Idiot", if I actually did compile the biggest albums of the decade, probably would have got the #1 spot. Green Day were always in their comfort zone, releasing albums that were quite successful, releasing tracks that were well received, all the way to to "Warning". Green Day were a band that people could depend on to make decent records yet never penetrate the commercial charts. When "American Idiot" came out, everything changed, they became this band that everyone wanted to see, especially live. They were known for their fantastic live sets, and all the singles off the album were just made out of gold, in the critics eye. They made fantastic videos, especially "Wake Me Up When September Ends", everyone loved Green Day. They started to become one of those bands that people hated for being so popular, you know you're doing something right when that happens. And "20th Century Breakdown" may have had mixed reviews, but the album sold fantastically, and "Know Your Enemy" was a decent hit too. Green Day were untouchable towards the middle of the decade, and that's why they're #2.

Before I talk about #1, I just want to talk about some artists that miss out on this chart. Oasis and U2 both had the most amount of #1 hits in the decade. Why aren't they on the list? Can you tell me that they produced huge albums, that were critically and commerically well received? Their singles got to #1, some of their albums did too, but they never maintained the popularity after their released materials surfaced. There aren't a great deal of songs by either artist that really stand out, not as much as the artists above. And artists like Metallica and Kid Rock sold loads and loads of albums, without really denting the singles charts. The same rule applies, very few of their tracks really stand out. I didn't want to include artists like Eminem and Jay-Z as this is predominantely a rock and metal listing, and didn't want rap to take the spotlight. I still pay homage to these alternative rappers in other listings though.

So who's #1? Unfortunately, it's...

#1. Nickelback

Don't hate me, I come in peace. I just can't see past Nickelback really, as the most important artist of the decade. They rocked it from start to finish, consistently in America and the UK. They had loads of hits, they had well received albums, and they've maintained and grew their fanbase. They're definitely the most consistent band of the decade, starting it from "How You Remind Me", easily one of the biggest songs of the decade, and "Silver Side Up" was a mega hit. "Too Bad" was the second single and was also a Top 10 hit in the UK. First single off "The Long Road" ensured that "Someday" would be a huge hit on both sides of the pond, and "Photograph" was a big hit in the UK, and a #1 hit in the US, the first single off "All the Right Reasons".
But the mega hit? The song that wouldn't leave radio stations, music video stations and DFS adverts? "Rockstar". Although it got to #2, the track has gone triple platinum and is one of the most played tracks of the decade. Put it this way, "Bleeding Love" by Leona Lewis was #1 at the time, and while that will be remembered as one of the biggest pop songs, I can see "Rockstar" being remembered better in 10 years time.
The daunting thing for me, as someone who hates Nickelback (although I do have a soft spot for "Rockstar" and "Figured You Out") is the idea that they will be in the Rock 'n' Roll Hall of Fame in the future. If they continue to be relevant, and I can't see them going away, it's only a matter of time. I can see it happening in around 15 or 20 years. And it's quite depressing really. But at the same time, there are so many people who will disagree, that they are a great rock band. That they deserve some respect. They have a lot of haters, they really do, yet it doesn't knock their confidence, or their popularity. They are definitely the rock equivalent of say Justin Bieber or The Jonas Brothers. I just mentioned those two artists on this site, and now people can google their names and get directed here. Shit.

Anyway, there we go. Do you agree? Disagree? Let me know your thoughts. These 10 artists have been very relevant, have sold loads of singles and loads of albums, and have had critical and commercial successes throughout the decade. But am I missing someone? Would you change the order? Should the likes of Oasis, U2 and Metallica have had a place in here and my reasons for leaving them out unjustified? Let me know, comment below. Otherwise I'll be back on Friday, with the final mixtape, the best of a mediocre year in 2009. Take care.